Some writing on art and culture

Gean Moreno and Stephanie Wakefield, 2024, “Imagination Dead Imagine,” Art Papers, Spring

Gean Moreno and Stephanie Wakefield, 2024, “Nymphs of the Anthropocene: Four Inquiries around Lynn Marsh’s Work,” Exhibition catalogue essay for She Moves Me | Performance, Moving Image, and Lynne Marsh’s Lens, Inventory Press & Press Enter.

Gean Moreno and Stephanie Wakefield, 2022, “Wars of Armageddon.” HKW Anthropocene Curriculum, Haus der Kulturen der Welt (HKW) Berlin.

Gean Moreno and Stephanie Wakefield, 2022, “To Not Lope Soundlessly into the Dark.” Exhibition catalogue essay for Mary Mattingly, Push/Pull.

Stephanie Wakefield, 2019, “A Conversation with Stephanie Wakefield,” DATUM: Iowa State University Journal of Architecture, 11.

Gean Moreno and Stephanie Wakefield, 2018, “Tools for a Thawing World,” Exhibition catalogue essay for SUPERFLEX: We Are All in the Same Boat, Museum of Art and Design, Miami Dade College.

Stephanie Wakefield, “Dreaming the Back Loop,” Affidavit, June 6.

Stephanie Wakefield and Bruce Braun, (2014) “Inhabiting the Post-Apocalyptic City,” Society and Space commentary.

Stephanie Wakefield, 2014, “Man in the Anthropocene (as portrayed by the film Gravity,” May